Joe Cajero

• jewelry
• painting
• pottery
• sculpture
gallery information

"The Visit "Clay Sculpture - 15 x 9 x 11 - $SOLD

"Bringing the Blessing "
Clay - 16.5 x 7.5 x 9

"Kindred Spirit" - Bronze edition of 30 - 27 x 11 x 9

"Natural Divinity "
Bronze Open Edition - 9 x 6 x 1

Cajero Gambels Quail

"Moments of Tranquility :: The Gambels Quail" - Bronze Plaque (20 x 10 plaque only)

Nurtured by Prayer Pendant
Nurtured by Prayer Pendant
Double sided Nurtured by Prayer Pendant in Sterling

"Emerging from Spirit "

"Moments of Tranquility :: Hummingbirds"
On the left side of the plaque is a design of altars on their side, the two triangles represent prayer feathers of the wild turkey. I use these symbols to represent prayer and an appreciation that centers me as I reflect on all the joy and the good these hummingbirds bring into our life. The hummingbird at the top is a male, a female in the middle and another male at the bottom.

Bronze edition of 30 - 16 x 21 x 7

Joe & his sculpture "Embodiment of Prayer"

Joe Cajero

"My creative energy is often spiritual in nature. Each of my sculptures invariably represent some aspect of praise and appreciation for life’s beauty. Since my Pueblo religion restricts the realistic unveiling of ceremonial life, the challenge is to use abstract art to represent the sacred; images that specifically capture a reflection of my spirituality and expressions of my intercession with the Creator."
-Joe Cajero

Joe Cajero, Jr. was born in 1970 in Santa Fe, New Mexico and raised in the Pueblo of Jemez. He is a descendant of a long line of Pueblo artists, including his father, a painter, and his mother, Esther, is a potter. Cajero often accompanied her to Indian art shows throughout the Southwest. On the road as well as in her small shop in Old Town, Albuquerque, the young Cajero learned from his mother the business of marketing ones art and was challenged to try a creative form he never guessed he'd be known for today, clay sculpture. While growing up, Cajero also had the privilege of spending many hours with his maternal great-grandmother Petra Romero, listening to the wonderful stories she would tell of times gone by. Her stories provided him with a solid foundation in his traditional culture and continue to inform the work he does today.

Cajero knew early on he would be an artist and assumed he would follow in the lines of his father and become a painter. At fifteen years of age, while sitting in his mother's shop one day, bored, she convinced him to take a piece of clay and try to create something out of it. That something turned out to be a small bear figure. That first figure sold the same day before it had even dried. This was a good sign for a young artist. His mother encouraged him to continue work in clay. Cajero made several more bear figures and sold them. Eventually those bears began to stand upright and take on human characteristics. Hands emerged from claws and faces began to form. Cajero knew then, he had graduated to the next level.

This next level took him to the Institute of American Indian Arts in Santa Fe after high school, where he studied two-dimensional art, with a few classes in traditional pottery making. His mentor and cousin, Felix Vigil, was teaching there at the time and provided the young artist with priceless insight, "He taught me how to look and where to look inside myself, so that I didn't have to draw from other artists in order to find inspiration. I admire the work of other artists, but I look only to myself to create." Although Cajero continues to make the smiling koshare figures he is internationally known for, he is not one for complacency. He constantly strives to satisfy his need for fresh ideas and subject matter by challenging himself to try new techniques and imagery.

In recent years, Cajero has begun making limited edition bronze figures. He enjoys working with commercial clay as opposed to traditional Jemez clays, as well as the process of selecting the patinas and colors that are used in the finish. Bronze work has led to the opening of new creative doors for the artist. "It seems I've been developing my skills in clay to lead me to work in bronze, and working with bronze has enhanced my skills with natural clay." He is also beginning to paint again, an art form that has always been close to his heart. He is excited about the creative possibilities and is looking forward to seeing how it will effect his three dimensional work. The thirty-one year old Cajero, resides in the small community of Placitas, New Mexico. In his free time, he enjoys golfing, fishing, bow hunting, camping and his daily workouts.

By Christina M. Castro

Tribal Expressions is proud to represent the magnificent clay and bronze sculpture of Joe Cajero.

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